Thomas Locke delivers something to his readers that, by all
measures, is really quite good. Mystery embedded in mystery. Adventure in
fantasy. Love in trust. Story in words.
Instead of giving you a book summary like many of the other
reviews, I’ll give you a more analytical/critical review to help you gauge (not
whether it will be a riveting story, but) whether you want to read this
philosophy over-against competing philosophies.
Book Philosophy: Greater good can be had in denying myself,
even being willing to sacrifice everything, and pursuing the cause of the
outcast and the downtrodden; in pursuing good for goodness’ sake.
Main Point:
Sacrifice self, pursue good
Supporting Points:
There are
greater things at stake
People follow whom they can trust
People follow whom they can trust
Every
individual needs others
There are
mysterious, guiding forces at work
Genre: Fantasy Adventure
Setting: Medieval world, undefined universe
Plot Flow: Ascending, monochronic; Rags-to-riches;
quick-paced
Additional literary elements: Self-discovery, community
building, battle
The primary characters presented offer the antitype
Hero-Leader, Chaos-Villain, comforter, and sage
Cultural Target: youth, young adults, fantasty
A few mechanical corrections need to be made—there were
several times in the first 50 pages that a sentence felt cumbersome or lacking
in a word. But after these first few, the writing style and sentence structure
was flawless. So perhaps it was simply that I needed to get accustomed to the
way Locke was writing, but nonetheless: there were a few times I had to reread
a sentence because I couldn’t distinguish subject from object or distinction of
antecedents.
Along a similar vein, there were several times in the book
that I thought the plot developed to quickly—almost like there were gaps in the
plot development (not to be confused with plot holes!). It occasionally thought:
“There wasn’t enough time for Hyam & Co. to determine that course of
action. He didn’t even have a chance to think through the events.” Hyam seemed
to respond too quickly and adeptly—he’s not done these things before, but he is
somehow the perfect leader in every situation and knows how to react to things
that are coming his way. If it were intended in Hyam’s characterization, he
would appear haughty and presumptuous, but the characterization of Hyam was
humble and compassionate (albeit holding grudges).
And occasionally it seemed like Locke didn’t spend enough
time staging and describing the scene—this critique I know will be dismissed by
most because many people want to ‘get to the story/action’ and find description
overbearing, but I sometimes found myself rushed from one area to another
without ever getting a chance to ‘look around’ as it were, and experience. Now
this was not always the case, but I
think more often than not the pace of the story was too quick for enjoying the
world… and to be honest it was never quite clear in the story why there was such a rush. It seemed like Hyam ‘just
knew’ that everything had to be done as expeditiously as possible without a
clear plot element that gave cause.
And yet! All these critiques being leveled, the story was so
good that all was quickly forgiven. The problems didn’t really even matter
because the whole package was so enjoyable the whole time. In fact, all you
have to do is read other reviews to understand the things that are so excellent.
I give this book 4/5 stars and recommend it to any fantasy
readers as young as age 10.
Thomas Locke's book Emissary is released January 6, 2015
I received a complimentary copy of this book from Revell in exchange for my honest review.
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